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Looking Back: Historical Storytelling

  • BRIC 647 Fulton Street Brooklyn, NY, 11217 United States (map)

As our country approaches its 250th anniversary, creators and journalists share how they inform and entertain audiences with historical content via podcasts, documentaries, journalism, and entertainment programming. Learn how you can tell compelling stories about the past that resonate well beyond the classroom.


Salimah El-Amin, Producer, Florentine Films

For 25 years, Salimah El-Amin has worked on numerous award-winning films and television programs. Most recently, she served as a producer for The American Revolution, a six-part documentary series that examines America's war for independence and the founding of a nation. Other notable projects she has contributed to include Hemingway, College Behind Bars, The Vietnam War, Fahrenheit 9/11, Taxi to the Dark Side, The Blues, and The Trials of Henry Kissinger. She has received several awards for her work, including two Emmy Awards in research.

Salimah holds both bachelor's and master's degrees in Anthropology and Media Studies from Rutgers University, Columbia University, and The New School


Syreeta Gates, Founder and Archivist, The Gates Preserve and Most Incredible Studio

Raised in South Jamaica, Queens, with a camera in one hand and a Source magazine in the other, she’s been preserving the stories we live since before she knew it could be a career. She doesn't follow blueprints — she builds them.

She earned a degree in Urban Youth Culture from Hunter College (because she invented the major) and went on to NYU for her Master’s in Moving Image Archiving and Preservation. Then? She wrote her own ticket. Gates is the founder of The Gates Preserve, a company devoted to protecting the creative record and making sure the worlds we shape outlast us.

Her work lives across mediums. She’s led archival research and produced award-winning docs, including Netflix’s Ladies First, Peacock’s Black Pop, The Remix: Hip Hop X Fashion, and A Ballerina’s Tale. Currently, she’s producing her first feature, Shaping the Culture—a definitive excavation of hip-hop journalism from Xerox to Twitter.

Dossie McCraw, Executive Producer, History That Doesn’t Suck with Professor Greg Jackson

Dossie McCraw has three decades experience in the entertainment industry beginning as a musician and later moving to the business side of “showbiz” holding leadership positions at HBO and Spotify. Every stage of his career across live theatre, music, TV and podcasts has been fueled by a passionate belief in the power of art to do more than merely entertain, but also to enrich our lives and bring us closer together.
 

Currently he is an independent producer of popular podcasts including: History That Doesn’t Suck with Professor Greg Jackson which tops the Apple and Spotify history podcast charts, tours nationally as a live stage show and will debut the “The Unlikely Union: A Storytelling Symphony of America” nationally on public television this summer in celebration of America 250; Holding Court with Eboni K. Williams which won the NAACP Image Award for Outstanding News & Information Podcast; Ye Gods! with Scott Carter distributed by the NPR podcast network and broadcast on public radio stations across the country.

Moderator: Cameo George, Documentary Filmmaker

Cameo George is an Emmy Award-winning journalist, filmmaker and creative strategist with over 20 years of experience in both commercial and public media.

As the executive producer of AMERICAN EXPERIENCE, PBS’ flagship and longest running history series, she has greenlit, developed and supervised the production of more than 35 full-length documentary films which have premiered at noted festivals including Toronto International Film Festival, DOC NYC and Venice and been recognized by prestigious journalism organizations including the Emmys, Peabody Awards, and duPont-Columbia Awards.

Presented with the Mayor’s Office of Media and Entertainment and BRIC Arts Media

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

The Center's programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Accessibility: Center for Communication provides reasonable accommodations to students with disabilities. Requests for accommodations for Center for Communication events should be submitted at least two weeks before the date of the accommodation need. Please email community@centerforcommunication.org for assistance.


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